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This publication is dedicated to a comprehensive analysis of Manuel María Ponce's Sonata III. The focus is on the formal structure of the work, in particular the sonata form of the first movement, as well as motivic-thematic connections and stylistic peculiarities. In addition, the history of the sonata's composition will be examined in the context of the collaboration between Manuel M. Ponce and Andrés Segovia. As an introduction, the structure of the sonata form is explained on the basis of classical guitar works, in particular the Sonata op. 15 by Mauro Giuliani, and placed in a historical context. The study combines musicological analysis with interpretative considerations and focuses on tonal differentiation, articulation, phrasing and structural understanding. In addition, the publication contains an independent, annotated edition with fingerings that reflects technical and musical challenges and offers practical solutions for demanding passages.
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